The Mysteries of the Organism - Nakedness, Magic and Mysticism

Sexual Magick & Other Essays (1988)
Katon Shual
 
The Secret History of Western Sexual Mysticism (2008)
Arthur Versluis
 
A Brief History of Nakedness (2010)
Philip Carr-Gomm
 
If you are looking for some 'how to' manual involving dark side practices, Shual's Sexual Magick is not the book for you. Rather it is a sensitive and humane investigation of the role of the sexual in modern magical practice and it is thoroughly liberal in tone. Katon Shual is the pseudonym of the Oxford-based magician, Mogg Morgan, who has done much in such circles to bring the somewhat harsh and masculinised world of Crowley and Grant into line with modern liberal and tolerant culture. The high point for me was an extended 'rant', allegedly from the God Set, against not Christianity (the usual target of neo-pagan resentment) but late paganism as it developed under the Roman elite. For a simple account of how neo-pagans see sexuality in quasi-political and cultural terms, pages 86 to 92 are all you need to read:

"Roman law is the culprit and not Christian ethics. And you have been living under Pax Romana right up until your so-called Industrial Revolution. And Roman Law, may I remind you, is hardly less repressive than the flesh-hating creed of Christianity."

'Set' certainly has a point here and he backs it up with sound evidence in the next few paragraphs. But the book loses momentum somewhat before this. It is short and most of what needs to be said is well said in the first two essays. The last two have interesting material on ambiguities in our sexuality and on the incorporation of the environment as analogy for the body (a core Tantrik concept) but it is all a little bitty and oddly unresolved, easy enough to read but without a clear theme that would pull all this material together. This inability to sustain an argument so that it moves easily as a narrative seems to be embedded in magic(k)al culture. It represents my most frequent frustration with its literature - throwing four articles or talks together does nothing to help this, especially as the articles/talks themselves are not always fully coherent in terms of their narrative thrust.

This first two articles represent a mere eighty pages or so. Nevertheless, there is, in these, fruitful and opinionated material on the history of attitudes to sexuality within the magical revival and on the 'kundalini' or serpent power concept even if it has to be said that, again, Shual presents but does not always integrate his material well. And, of course, as Phil Hine has persuasivelyargued, much of the Western magical tradition's appropriation of South Asian concepts is fundamentally flawed - a projection of often angry repressed sexual desire in that cold culture derived from Rome rather than a true reflection of an entirely alien cultural, religious and intellectual tradition. There are indulgent intrusions of material here that clearly mean a lot to him but look a bit like a cut-and-paste, interpolations to entertain his readers, where he wants to make a point yet cannot seem to be able to contextualise that point clearly. Some more rigorous editing would have been a courtesy to his audience.

Much of the book also seems to be a hidden polemic (appropriate in the mid-1990s but less relevant now) for acceptance of homosexuality, bisexuality, transgenderism and lesbianism as all capable of following through on the insights of his own preferred amalagam of the thelemite and tantrik traditions. I am sure he is right on the basis that anything is intellectually possible and permitted but, looked back on from a fifteen year distance, the book seems to be more geared towards entering the LGBT debate, somewhat guardedly since it was a minefield then as now, than a brave account of what sexual magic actually may be, what it means and how it can be used.

There is, despite the dramatic cover and promise in the subject matter, an odd diffidence about the text - as if the author is quite determined to humanise and liberalise his material but is nervous of putting a foot wrong in a difficult and touchy community. Similarly, the references to the Setian or Typhonian tradition of Grant and to the Nath tradition of the Tantriks (the two primary influences on Shual) contain great lumps of speculation. The Tantrik material must certainly now be considered dubious. We have got rather used to this from reading Grant but this method of investigation has a tendency to send the reader off into obscurity rather than gnosis. The numerology thing that thelemites do still strikes me as absurd and the readings of the modern meanings imputed to all ancient religions remain suspect. This tradition is as reconstructionist as any other neo-pagan religion if less likely to admit this than most because of the seriousness given to Crowley's revelation from 'Aiwass'.

My main quarrel with the book is that, like all magical traditionalisms, it tries too hard to reconcile past insights with modern discoveries. It often puzzles me why we can't just cut to the chase and give modern science and instinctive libertarian insights more direct leeway without cluttering our new world with analogical complexities and obscurities, references back to truly alien cultures, attempts to draw complex parallels between chakras and the endocrine system and acceptance of the rebellious but sometimes half-baked visions of spiritual leaders who still had one cultural foot in the attitudes of the late-imperial world. Yes, these were all exciting, valuable and true in their time but are we not in danger of getting 'stuck' and turning liberation into psychotherapeutic cultism for the few at the expense of the liberation of the many?

I can see that past rebels in our own culture and half-baked insights concerning the tantrics have been instrumental in getting many people to shift their mental models from acceptance of Roman oppressions to new and free ways of thinking. However, there is a real danger that we fail to move on from these 'magical' sources and develop a more appropriate post-industrial and post-modern mentality that accepts the insights of existential philosophy and science as way stations to mass liberation without need for cults and ritual beyond their individual psychotherapeutic value. A paradox of a book - a bit weak in the round but with value as a trigger for thought on one's own account if you have never thought deeply about sexuality as a spiritual matter rather than just as procreation, rutting or a tool in power plays between the genders.
 
Versluis' The Secret History of Western Sexual Mysticism is more easily recommendable. It is a short but very readable account of the necessarily (given the mental universe of what Heidegger might refer here to as 'the they') 'hidden' traditions of sexual mysticism in the West from the open era of classical paganism through to the end of the twentieth century - an excellent counterpoint to Hugh Urban's 'Magia Sexualis', read and reviewed by us elsewhere. Versluis is working in territory that is poorly recorded, in part because mainstream culture has cruelly punished heresies, and has consequently ensured that little survives by way of texts. The self-censorship of practitioners until recent times has had much the same effect on sources as has active and often cruel repression. In addition, our picture of reality can be obscured or made misinterpretable by the deliberate exaggerations of elites to make innocence guilty and ensure that the worst possible interpretation of libertarian threats frightens the popular horses. This happens in all eras as we saw in the Satanic Panic starting in the 1980s and the current demonisation of all working class protesters today because of the criminal actions of a few.
 
Versluis' scholarly refusal to speculate beyond the necessary makes one appreciate all the more the moral and sometimes physical courage of those sexual-mystical dissidents who have appeared since the Constantinian settlement of the 320s AD placed an effective ban on sexuality as a positive spiritual force - a ban only removed slowly and uncertainly with the opening up of America and the rise of secular liberalism in Europe. His analyses are sophisticated, showing how Western Christian mysticism owed something to its pagan predecessors. Practices were analogous to those in the worship of Shiva in India in the classical era and they developed (almost certainly independently though with periodic probable inputs from the East) many of the characteristics of the Tantric schools subsequently.

Indeed, he and we are struck by the alternative route that Christianity might have taken if it had not become the play-thing of imperial and papal authority. The story fills one with foreboding at the eventual outcome of the current Western Project if it is not curtailed and limited before it can become a threat to liberty under the growing economic and strategic pressures developing within and on the West. Versluis wisely distinguishes sexual mysticism from magic (the more utilitarian and dominant strand of occult sexuality in the West today) and so does not go over the same ground as Urban. His conclusions, linking the heretical to 'natural' connections in man and nature, to the egalitarian, to gnosis and to the transcendent are wise and thoughtful. Rather than give the game away, I suggest you get the book and come to your own conclusions before you read his.
 
Philip Carr-Gomm is co-author of the excellent The Book of English Magic which has also been reviewed elsewhere. This is in the same vein - a measured and sympathetic account of what might be regarded as a human eccentricity that, on closer examination, suggests that it is the clothing convention and not nakedness that may be, in some contexts, odder still. It is, as the title suggests, a history of nudity and nakedness but not in high art or in commerce (adult entertainment) or as a sexual pehenomenon but as a spiritual, political and self-expressive tool, including comment on its use in the arts outside the academic tradition. Like his book on magic (which is a masterpiece of its type), it is descriptive rather than analytical or theoretical but with a considerable number of good quality photographs. It avoids the prurient. Each picture is directly relevant to the text. While not afraid to show the naked body beautiful where relevant, the book is heartening in showing the essential ordinariness of most expressions of the naked. Though not perhaps common in life except in the fantasy world of publishing, cinema and erotica, nakedness is multifaceted and filled with meaning for many people in their private lives, and in their occasional calculated 'outrages' in public life, as a form of liberation and defiance.

Carr-Gomm is a kind man with an open nature - or so this book and 'English Magic' would suggest - so the motives of the naked are mostly taken at face value as courageous and honourable. At one point, perhaps without realising precisely the import of what he is saying, he produces a devastating argument against the theoretical approach towards 'objectification' of the grumbling and humourless ideologues of post-68 feminism and Marxism. The fascinating short description of the the sense of empowerment given to life models and others who choose to make themselves apparently vulnerable by their nakedness suggests that, under certain conditions, objectification is positively liberating - and, of course, it is for free persons to decide what those conditions are. He confirms this as his own experience with all the diffidence of the true eccentric Englishman finding that transgression is a path to freedom. The general picture of the popular nude and of the naked is one of fun and wit rather than deadly purpose.

He also briefly explores the self-objectification by which people use a mirror to understand themselves better, referring back to Uwe Ommer's photography. What is apparently narcissistic is nothing of the kind if the observation is contemplative and meditative, sweeping away both negative body images and, ironically, the obsession with one's own looks in society. Mirror observation of the naked self has even, it would seem, been used in spiritual meditation. This book is thus another quiet blow for free individual choice against theory. Ordinary people have highly personal approaches to their own bodies. While most would prefer to stay clothed, those who do not clearly gain great psychological benefits from their freedom from restriction and display and are neither necessarily exhibitionist nor libidinous in doing so.

However, culture is everything. Enforcing nakedness as humiliation is not forgotten either. Many examples from the Axis forces in the Second World War might have been chosen but to demonstrate the point, Carr-Gomm does not choose these or just the criminal thuggishness at Abu Ghraib but a grim photo of the victors of 1945 (that's us, folks) humiliating a Japanese prisoner of war by forcing him to scrub the deck of a battleship in front of the entire crew with photographers coldly relishing the moment for the 'folks back home'. A third photograph shows Corsican 'patriots' stripping and cutting the hair of a prostitute who made the mistake of earning her living from the occupiers - though we doubt if those who sold eggs and milk or conducted services in the local church were similarly treated. The lesson is that, while we expect totalitarians to act viciously, there is a callousness in humanity that knows no ideological boundaries.

Carr-Gomm is also effective in showing how innovative acts of nakedness by ordinary citizens and artists become manipulated by the PR industry into 'stunts', political as well as commercial, that diminish the meaning of individual choice and challenge. He does not dwell on this - perhaps wishing not to give them the oxygen of publicity himself (although Tesco's stunt in Hastings shows the inauthentic cowardice and shallowness of the marketing communications industry at its worst). The message is, however, clear that economic interests effectively steal creativity from the general public and create a bored fatigue with what should be something that is culturally more important than this. Commercial interests jade our palates with manipulative novelties that liberate no one ... and, indeed, the parade of naked bodies in this part of the book does raise a bit of yawn when compared to the preceding and fascinating section on spiritual or lifestyle nudism. My personal bete noire is the excess of publicly funded carnival sexualised nakedness as part of the LGBTQ+ civic Pride circus where inauthenticity and narcissism compete for attention simply in order to impose an aggressive minority ideology on a wider society complete withh corporate sponsors and the weasel words of local politicians. Authenticity would abjure both those last sets of hangar on and be focused on the collective meaning of the event to those who partake of the ritual.

However, beyond the manipulation and exhibitionist self indulgence lies a more genuine struggle for the right of an individual to stand up to convention and choose not to cover their bodies (or indeed to engage in private sexual behaviours that harm no other). Carr-Gomm is on sound philosophical libertarian ground in implicitly defending these rights throughout the book. Indeed, one starts to wonder after a while why precisely even an erection should be regarded as intrinsically obscene if it just stands full and hard without harming anyone and is in an appropriate setting (which is a matter for reasonable debate). Authority throughout the world certainly seems determined on doing more damage to the naked than the naked do to the world - unless an image in itself is counted as an assault which raises all sorts of questions in turn about what is public and what is private.
 
If I arrest your body, I have to act with force in some way and clearly do harm so the harm that is done by me must be greater than mine to justify the force. But what is the harm in nakedness in itself except to 'feelings', sentiments, customs, habits and tradition? If I only strike your mind, simply by standing passively naked before you, then surely you striking my body to end the striking of your mind is a worse assault. It might be bad manners to stand naked before you but then might it not be bad manners to stand clothed before me. Bad manners, however, are a matter for social negotiation and not the law.

Similarly, Carr-Gomm raises the issue of what is exhibitionism, leading to the question of what precisely is wrong with it in its milder forms or, indeed, with voyeurism, if they are both 'worn lightly' and are not obsessive or pathological. Of course, in law, exhibitionism and the 'peeping tom' are disturbing to the 'victims' and perhaps we are in territory where the law does have something to say and with some force. The 'gaze' (we have to admit) can feel or be oppressive to many people, especially the shy or introvert. People do have rights to privacy and perhaps to being not shocked inappropriately and out of context. But a lot of 'shock' is in the eye of the beholder and some shock shocks a person in a positive way, changing their world view in ways that open their eyes to their own manipulation and received ideas. A culture that avoids shock is like the dead hand of excessive health and safety legislation - a defensive anxious communitarian culture fearful of risk and distrustful of others. 
 
There is a line to be drawn but perhaps we need to think about whether we draw it too tightly on the passive nudist and not tight enough on the crass commercial or special interest exploitation of shock to sell goods and services or manipulate the political process (although even here, commercial and political shenanigans can have creative and positive cultural effects). As questions are raised that cannot be easily answered except (often) by blind appeal to tradition or, more fairly, to good manners and consideration, the book is recommended as a part of the path to answering them. What perhaps all these books suggest is that there is a territory related to the body that is either open and far from necessarily sexual in the 'rumpy-pumpy' sense of the sexual (viz the simply naked or the 'spiritual') or, if involving a form of 'rumpy-pumpy', that the sexual behaviour is invested with a very different meaning from the ones that are dominant in society both good and bad.